Mexico in the 1970s is a dangerous country, even for Maite, a secretary who spends her life seeking the romance found in cheap comic books and ignoring the activists protesting around the city. When her next-door neighbor, the beautiful art student Leonora, disappears under suspicious circumstances, Maite finds herself searching for the missing woman—and journeying deeper into Leonora’s secret life of student radicals and dissidents.
Mexico in the 1970s is a politically fraught land, even for Elvis, a goon with a passion for rock ’n’ roll who knows more about kidney-smashing than intrigue. When Elvis is assigned to find Leonora, he begins a blood-soaked search for the woman—and his soul.
Swirling in parallel trajectories, Maite and Elvis attempt to discover the truth behind Leonora’s disappearance, encountering hitmen, government agents, and Russian spies. Because Mexico in the 1970s is a noir where life is cheap and the price of truth is high.
From the New York Times bestselling author of Mexican Gothic comes a simmering historical noir about a daydreaming secretary, a lonesome enforcer, and the mystery of the missing woman they’re both desperate to find.
“He’s fearless and ruthless. Soulless.”
As a flight attendant, Alana Bernal has had her share of suitors. She's also had more than her fair share of tragedy within her messed-up family. But what she hasn't had is love. Real, rip-your-heart-out, tear-your-clothes-off, all-consuming love.
At least that was the case until she met an American tourist, Derek Conway, a ripped ex-soldier with steely eyes and a commanding presence.
What started as a chance encounter between the two in Puerto Vallarta, a weekend full of hot sex and mindless passion, has led to something more.
Something deadly.
Because Derek isn't the type of man to fall in love. He's not a man who sticks around.
And he's definitely not in Mexico on vacation.
Derek is a mercenary, a killer-for-hire, a man who does the ugly jobs for the highest bidder.
Unfortunately for Alana and Derek, the highest bidder has the power to destroy whatever worlds they have created for themselves.
The highest bidder can destroy everything.
A lavish historical drama reimagining of The Island of Doctor Moreau set against the backdrop of nineteenth-century Mexico.
Carlota Moreau: a young woman, growing up in a distant and luxuriant estate, safe from the conflict and strife of the Yucatán peninsula. The only daughter of either a genius, or a madman.
Montgomery Laughton: a melancholic overseer with a tragic past and a propensity for alcohol. An outcast who assists Dr. Moreau with his scientific experiments, which are financed by the Lizaldes, owners of magnificent haciendas and plentiful coffers.
The hybrids: the fruits of the Doctor’s labor, destined to blindly obey their creator and remain in the shadows. A motley group of part human, part animal monstrosities.
All of them living in a perfectly balanced and static world, which is jolted by the abrupt arrival of Eduardo Lizalde, the charming and careless son of Doctor Moreau’s patron, who will unwittingly begin a dangerous chain reaction.
For Moreau keeps secrets, Carlota has questions, and in the sweltering heat of the jungle, passions may ignite.
The Daughter of Doctor Moreau is both a dazzling historical novel and a daring science fiction journey.
When Harlow Estrada is abruptly fired from her dream job and her boyfriend proves to be a jerk, her world turns upside down. She flees New York City to the one place she can always call home—the enchanted Hacienda Estrada.
The Estrada family farm in Mexico houses an abundance of charmed flowers cultivated by Harlow’s mother, sisters, aunt, and cousins. By harnessing the magic in these flowers, they can heal hearts, erase memories, interpret dreams—but not Harlow.
So when her mother and aunt give her a special task
involving the family’s magic, she panics. How can she rise to the occasion when
she is magicless ? But maybe it’s not magic she’s missing, but belief in
herself. When she finally embraces her unique gifts and opens her heart to a
handsome stranger, she discovers she’s far more powerful than she
imagined.
After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region.
Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemi’s dreams with visions of blood and doom.
Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness.
And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.
